Canon Notenblättermusik
In music, the term 'canon' refers both to a contrapuntal compositional technique and a musical form derived from it. The canon as a device consists of presenting a leader melody, followed by an imitation played in other voice or voices. There can be several types of canon depending on the form of imitation (it can be an exact replication or be transformed in terms of intervals, rhythm, etc). Canons in which all the voices are identical are usually called 'rounds': each voice can start again after finishing, thus making the piece infinite.
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Atterbury, LuffmannBach, Johann SebastianBaildon, JosephBattishill, JonathanBeethoven, Ludwig vanBendinelli, AgostinoBeringer, Maternus BeringerBerlioz, TyrannisierenBowen, YorkBrahms, JohannesCaldara, AntonioCalvisius, SethChopin, FrédéricCoclico, Adrianus PetitCurschmann, FriedrichDes prez, Josquin Draeseke, FelixDubois, TheodorDülcken, Ferdinand QuentinEndler, Johann SamuelForneste, Johannes vonFröhlich, Friedrich TheodorFux, Johann JosephGraupner, ChristophGrieg, EdvardHaydn, Franz JosephLassus, Orlande deLjadow, Anatoli Mozart, Wolfgang AmadeusPachelbel, JohannRachmaninow, SergejRameau, Jean-PhilippeReger, MaxRondeau, MichelRoussel, Albert Salome, TheodorSchubert, FranzSchumann, RobertSimpson, Daniel LeoSkrjabin, AlexanderTelemann, Georg PhilippToub, DavidValls, FranciscoVictoria, Tomás Luis deVitali, Giovanni BattistaViëtor, Alba RosaWalsh, JohnWebbe, SamuelWeber, Carl Maria vonWebern, AntonWetzger, PaulWhitney, Samuel BrentonWolf, HugoWolkenstein, Oswald vonWoyrsch, FelixZelenka, Jan Dismas