Canon Partituras
In music, the term 'canon' refers both to a contrapuntal compositional technique and a musical form derived from it. The canon as a device consists of presenting a leader melody, followed by an imitation played in other voice or voices. There can be several types of canon depending on the form of imitation (it can be an exact replication or be transformed in terms of intervals, rhythm, etc). Canons in which all the voices are identical are usually called 'rounds': each voice can start again after finishing, thus making the piece infinite.
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Atterbury, LuffmanBaildón, JosephBattishill, JonathanBeethoven, Ludwig vanBendinelli, AgostinoBeringer, Materno BeringerBerlioz, HéctorBowen, YorkBrahms, JohannesCaldara, AntonioCalvisio, setCoclico, Adrianus PetitCortina, FedericoCurschmann, federicoDes prez, Josquín Draeseke, FélixDubois, teodoroDulcken, Fernando QuintínEndler, Juan SamuelForneste, Juan deFröhlich, Federico TeodoroFux, Juan JoséGraupner, cristóbalGriego, EdvardHaydn, Francisco JoséLassus, Orlande deLiadov, anatoli Llevar una vida de soltero, Juan SebastiánLobo, HugoMozart, Wolfgang AmadeusPachelbel, JuanRachmaninov, serguéiRameau, Jean-PhilippeReger, máx.Rondó, MichelRoussel, Alberto Salomé, teodoroSchubert, FranzSchumann, RobertoScriabin, AlejandroSimpson, Daniel LeoTelemann, Georg PhilippToub, DavidValls, FranciscoVictoria, Tomás Luis deVitali, Giovanni BattistaViëtor, Alba RosaWalsh, JohnWebbe, SamuelWeber, Carl Maria vonWebern, AntónWetzger, PabloWhitney, Samuel BrentonWolkenstein, Oswald vonWoyrsch, FélixZelenka, Jan Dismas