Georges Hüe was a French composer of classical music, born in Versailles (France) into a noted family of architects. His musical education included studies with Charles Gounod and César Franck. In 1879, he won the Prix de Rome with his cantata Médée. Upon his return to Paris, the Opéra Comique produced his first stage work, Les Pantins ("The Jumping Jacks"). This plotless, two-act set-piece for four singers doubling roles completely ignored fashionable realist trends of the day, and won high acclaim. For the next twenty years, his musical career went in other directions. Hüe returned to the stage with his first full-length opera, Le Roi de Paris, a historical drama with a subplot about unrequited love. His follow-up opera was Titania. Stimulated by fantasy and Shakespeare, this work is noteworthy for its impressionisitic woodland scenes for chorus and orchestra. In 1910, the Opéra produced Le Miracle, a grand five-act work combining the mythological story of Pygmalion with a religious miracle. Hüe's most successful work with the public was Dans l'ombre de la cathédrale, whose topical plot was driven by the conflicting ideals of socialism and Catholicism. The opera was revived several times in the 1920s. Following his own travels to the Far East, he wrote Siang-Sin, a ballet-pantomime created for a Chinese spring festival in 1924. His final stage work was based on a fairy tale by Charles Perrault. During his lifetime, Hüe wrote a broad range of other compositions, of which his choral works are most noteworthy. Some pieces for flute are occasionally performed, including Fantaisie for flute and orchestra, written for Paul Taffanel, legendary professor of the Paris Conservatory. Hüe's music met with limited success mainly because his style did not change with the times. However, he was a competent and sometimes inspired composer whose works garnered the admiration of several famous colleagues, including Claude Debussy and Gabriel Fauré. Hüe died in Paris in 1948.