Impromptu Partitions
The term impromptu is used in music to designate a free-form solo instrumental composition with the character of an improvisation. In this sense the impromptu is closely related to the fantaisie. Given that the idea of an unpremeditated inspiration strike materializing in the form of a piece touches the very core of Romantic artistic thought, the designation of impromptu was quickly adopted by many romantic composers.
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Alcan, Charles ValentinAlcock, Walter GalpinAndersen, JoachimAndreasyan, ArtemBalakirev, MilieBernard, PaulBlumenfeld, FélixBlumenthal, PaulBochsa, Nicolas CharlesBovy Lysberg, Charles-SamuelBézekirski, VassiliBülow, Hans vonChabeaux, PaulChavagnat, ÉdouardChesnet, RenéCholet, HenriChopin, FrédériqueCieutat, HenriCui, CésarCzerny, CarlDiemer, LouisDonahoe, J. FrankDvořák, AntoninEnescu, GeorgeErfolg, CarlFaure, GabrielFitzenhagen, GuillaumeGlazounov, AlexandreGottschalk, Louis MoreauGrieg, ÉdouardHeller, StéphaneJuon, PaulKullak, ThéodoreLefébure-Wély, Louis-James AlfredLiadov, Anatolie Loup-Ferrari, ErmannoMartinů, BohuslavMassenet, JulesMertz, Johann KasparMoscheles, IgnazMouchard, FranzMoussorgski, ModestePalmgren, SélimPessard, ÉmilePettoletti, PierrePoulenc, FrancisRaffle, JoachimReinecke, Carl Heinrich CarstenRohbock, HenriRoussel, Albert Réentenir, HugoSaint Saëns, CamilleScharwenka, PhilippeSchubert, FranzSchumann, RobertScriabine, AlexandreSibélius, JeanSimpson, Daniel LéoStenhammar, GuillaumeSveinbjörnsson, SveinbjörnTausig, CarlTchaïkovski, Piotr IlitchTena Manrique, AbrahamThalberg, SigismondVerdalle, GabrielVolkmann, RobertVollweiler, CharlesVoříšek, Jan VaclavWallace, Guillaume VincentZarębski, Juliuszdur d'oeuf, Julesmâle, Dudley