Impromptu Partituras
The term impromptu is used in music to designate a free-form solo instrumental composition with the character of an improvisation. In this sense the impromptu is closely related to the fantaisie. Given that the idea of an unpremeditated inspiration strike materializing in the form of a piece touches the very core of Romantic artistic thought, the designation of impromptu was quickly adopted by many romantic composers.
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Alcock, Walter GalpinAndersen, JoaquínAndreasyan, ArtemBalakirev, miliBernardo, PabloBezekirski, VasiliBlumenfeld, FélixBlumenthal, PabloBochsa, Nicolás CarlosBovy-Lysberg, Carlos SamuelBülow, Hans vonChabeaux, PabloChaikovski, Piotr IlichChavagnat, EduardoChesnet, RenéChollet, EnriqueCiudad, EnriqueCortina, FedericoCuí, CésarCzerny, carlosDonahoe, J. francoDvořák, antoninDólar, DudleyEnescu, JorgeErfolg, carlosFaure, GabrielFitzenhagen, GuillermoGlazunov, alejandroGottschalk, Luis MoreauGriego, EdvardJuon, PabloKullak, teodoroLefébure-Wély, Luis James AlfredoLiadov, anatoli Martínů, BohuslavMertz, Juan KasparMoscheles, IgnacioMúsorgski, ModestoPalmgren, SelimPessard, emilioPettoletti, PedroPoulenc, FranciscoReinecke, Carl Heinrich CarstenReinhold, HugoRohbock, EnriqueRoussel, Alberto Saint-Saëns, camillaScharwenka, FelipeSchubert, FranzSchumann, RobertoScriabin, AlejandroSibelius, VaqueroSimpson, Daniel LeoSoplón, FranzStenhammar, GuillermoSveinbjörnsson, SveinbjörnTausig, carlosTena Manrique, AbrahánThalberg, SegismundoVerdalle, GabrielVolkmann, RobertoVollweiler, CharlesVoříšek, Jan VaclavWallace, Guillermo VicenteZarebski, Juliuszalcano, Charles-Valentindiemer, luishuevo duro, julioinfierno, estebanlobo-ferrari, Ermannomasanet, juliorafa, Joaquín