Scales & Modes

Major scale

One of the most efficient ways to memorize scales and play them on the guitar is using box patterns. These are ways of 'mapping' the scale across the guitar fretboard, creating fixed shapes that can be transposed to play the scale in a different key. They are particularly helpful for improvisation, and once they are memorized, they serve as an excellent aid to understand the visual and auditory relationships between intervals. Select a root note to see a list of box patterns for the major scale:


C 

C#/Db
D 

D#/Eb

E 

F 
F#/Gb 
 G 
G#/Ab 
A
A#/Bb 
B


The major scale is one of the most used musical scales, being of central importance in the development of European music. It is made up of seven notes, with the eight duplicating the first at the double of frequency. The intervallic structure of the major scale is given as w, w, h, w, w, w, h, (h meaning half a tone and w meaning a whole tone). Thus, it follows that the major scale of C is made up of all natural notes, making it the easiest scale to write.

The relative minor of a major scale starts down a minor third, and uses the same key signature. For example, G major and E minor use the same key signature. The major scale corresponds to the Ionan mode (as originally classified by Heinrich Glarean in the sixteenth century). In musical languages that make use of an extensive number of scales, the term 'major scale' is used broadly when referring to any scale whose first, third, and fifth degree form a major triad.

C major

MajC-Score.png

The C major scale is the archetypal example of a major scale. It is made up of all the natural notes (the white notes of the piano), thus being the easiest scale to write and read. The relative minor scale of C major is A minor. The notes that make up the C major scale (also the C Ionian mode) are the same ones used for the D doric mode, E phrygian, F lydian, G mixolydian, A aeolian (or minor), and B locrian.

Below you will find the seven shapes that you can use to play the C major scale on your guitar. You will also find a table of chords you can use with the C major scale, together with their harmonic function.


C major
Pattern I

MajC-Shape1.jpg
C major
Pattern II

MajC-Shape2.jpg
C major
Pattern III

MajC-Shape3.jpg
C major
Pattern IV

MajC-Shape4.jpg
C major
Pattern V

MajC-Shape5.jpg
C major
Pattern VI

MajC-Shape6.jpg
C major
Pattern VII

MajC-Shape7.jpg



The following chords can be played when using the C major scale.

I
C
I7
C7
ii
Dm
II7
D7
ii7b5
Dm7b5
iii
Em
III7
E7
bIII
Eb
IV
F
ii7b5/iii
F#m7b5
iv
Fm
V
G
V7
G7
v
Gm
vi
Am
VI7
A7
bVI
Ab
vii
Bdim
vii7b5
Bm7b5
bVII
Bb

C#/Db major

MajDb-Score.png

The D flat major scale has five flats (Db, Eb, Gb, Ab, and Bb) and, because of this, it is not a very common choice to play or write guitar music in this key: guitar pieces (as well as most pieces for string instruments) are usually written considering the resonance of the instrument and the comfort of the player. There are no open strings on D flat major, thus making it an uncommon key for the guitar.

Still, D flat major is a far more used key than its enharmonic counterpart C sharp major, consisting of seven sharps as opposed to five flats. D flat major has been widely used in piano music (especially since the romantic period), as they black keys of the piano correspond to the flats in the scale, allowing an easy fingering.

The relative minor scale of D flat major is Bflat minor. Its parallel is D flat minor, usually replaced with C sharp minor for easier writing. We can see an example of this in Chopin's Prelude in D flat major, where writes a middle section in the parallel minor, using the enharmonic equivalent C sharp minor.

The notes that make up the D flat major scale are the same ones used for the Eb doric mode, F phrygian, Gb lydian, Ab mixolydian, Bb aeolian (or minor), and C locrian.

Below you will find the seven shapes that you can use to play the D flat major scale on your guitar. You will also find a table of chords you can use with the D flat major scale, together with their harmonic function.



D flat major
Pattern I

MajDb-Shape1.jpg






D flat major
Pattern II

MajDb-Shape2.jpg






D flat major
Pattern III

MajDb-Shape3.jpg






D flat major
Pattern IV

MajDb-Shape4.jpg






D flat major
Pattern V

MajDb-Shape5.jpg






D flat major
Pattern VI

MajDb-Shape6.jpg






D flat major
Pattern VII

MajDb-Shape7.jpg



The following chords can be played when using the D flat major scale.

I
Db
I7
Db7
ii
Ebm
II7
Eb7
ii7b5
Ebm7b5
iii
Fm
III7
F7
bIII
E
IV
Gb
ii7b5/iii
Gm7b5
iv
Gbm
V
Ab
V7
Ab7
v
Abm
vi
Bbm
VI7
Bb7
bVI
A
vii
Cdim
vii7b5
Cm7b5
bVII
B

D major

MajD-Score.png

The scale of D major has two sharps (F# and C#), and it is frequently used for guitar music. It is well suited to strings instruments in general, given that almost all of them are tuned with their open strings in pitches corresponding to the notes of the scale. This favors sympathetic resonance and makes for a brighter sound. In guitar music, it is common to drop the low E string to D: this eases some fingerings, and it creates the possibility of playing D chords with a powerful, resounding fifth between the lower strings of the instruments. It is also common to lower the G string to an F#. A significant number of string-based pieces has been written in the key of D, such as Mozart's second violin concerto, or Beethoven's violin concerto.

The relative minor of D major is B minor, and its parallel minor key is D minor. The notes that make up the D majorscale are the same ones used for the E doric mode, F# phrygian, G lydian, A mixolydian, B aeolian (or minor), and C# locrian.

Below you will find the seven shapes that you can use to play the D major scale on your guitar. You will also find a table of chords you can use with the D major, toghether with their harmonic function.



D major
Pattern I

      MajD-Shape1.jpg   





D major
Pattern II

      MajD-Shape2.jpg   





D major
Pattern III

      MajD-Shape3.jpg  





D major
Pattern IV

      MajD-Shape4.jpg   





D major
Pattern V

       MajD-Shape5.jpg   





D major
Pattern VI

      MajD-Shape6.jpg    





D major
Pattern VII

     MajD-Shape7.jpg



The following chords can be played when using the D major scale.

I
    D 
I7
    D7
 
ii
    Em
II7
    E7
ii7b5
    Em7b5 
iii
    F#m
III7
    F#7 
bIII
    F 
IV
    G 
ii7b5/iii
    G#m7b5
iv
    Gm
V
    A
V7
    A7
v
    Am
vi
    Bm
VI7
    B7 
bVI
    Bb 
vii
    C#dim
vii7b5 
    C#m7b5 
bVII
    C 

D#/Eb major

MajEb-Score.png

The E flat major scale has three flats, and it is not used often in classical guitar music, though it can be indirectly achieved by playing music in they key of E using a half-step down tuning (a common practice in some genres of popular music, often used to accomodate singers). In classical music, they key of E flat major is often associated with heroic qualities, mainly due to the possibilities it offers in brass writing, and Beethoven's use of it in his Eroica Symphony.

The relative minor scale of E flat major is C minor. The notes that make up the E flat major scale are the same ones used for the F doric mode, G phrygian, A flat lydian, Bb flat mixolydian, C aeolian (or minor), and D locrian.

Below you will find the seven shapes that you can use to play the E flat major scale on your guitar. You will also find a table of chords you can use with the E flat major, toghether with their harmonic function.



Eb major
Pattern I

   MajEb-Shape1.jpg






Eb major
Pattern II

   MajEb-Shape2.jpg






Eb major
Pattern III

     MajEb-Shape3.jpg





Eb major
Pattern IV

      

MajEb-Shape4.jpg

 





Eb major
Pattern V

       

MajEb-Shape5.jpg






Eb major
Pattern VI

      

MajEb-Shape6.jpg






Ebv major
Pattern VII

     

MajEb-Shape7.jpg



The following chords can be played when using the Eb major scale.

I
    Eb 
I7
    Eb7
 
ii
    Fm
II7
    F7
ii7b5
    Fm7b5 
iii
    Gm
III7
    G7 
bIII
    Gb 
IV
    Ab 
ii7b5/iii
    Am7b5 
iv
    Abm
V
    Bb
V7
    Bb7
v
    Bbm
vi
    Cm
VI7
    C7 
bVI
    B 
vii
    Ddim
vii7b5 
    Dm7b5 
bVII
    Db 

E major

MajE-Score.png

The E major scale has four sharps notes (F#, G#, C#, and D#) and it is extremely well suited for the guitar due to the easy fingerings of the chords most commonly employed with it. With the lowest note of the guitar being E, it allows for powerful tonic chords and an easy use of pedal notes. Other strings instruments also benefit from this key.

The relative minor scale of E major is C# minor. The notes that make up the E major scale are the same ones used for the F# doric mode, G# phrygian, A lydian, B mixolydian, C# aeolian (or minor), and D# locrian.

Below you will find the seven shapes that you can use to play the E major scale on your guitar. You will also find a table of chords you can use with the E major scale, together with their harmonic function.



E major
Pattern I

       

MajE-Shape1.jpg






E major
Pattern II

      

MajE-Shape2.jpg






E major
Pattern III

      

MajE-Shape3.jpg






E major
Pattern IV

      

MajE-Shape4.jpg






E major
Pattern V

       

MajE-Shape5.jpg






E major
Pattern VI

      

MajE-Shape6.jpg






E major
Pattern VII

     

MajE-Shape7.jpg



The following chords can be played when using the E major scale.

I
    E 
I7
    E7
 
ii
    F#m
II7
    F#7
ii7b5
    F#m7b5
iii
    G#m
III7
    G#7
bIII
    G
IV
    A 
ii7b5/iii
    A#m7b5 
iv
    Am
V
    B
V7
    B7
v
    Bm
vi
    C#m
VI7
    C#7
bVI
    C 
vii
    D#dim
vii7b5 
    D#m7b5 
bVII
    D 

F major

MajF-Score.png

The F major scale has only one flat note (Bb), making it one of the easiest scales for beginners. It is frequently found in guitar music. The relative minor scale of F major is D minor. The notes that make up the F major scale are the same ones used for the G doric mode, A phyrigian, Bb lydian, C mixolydian, D aeolian, and E locrian.

Below you will find the seven shapes that you can use to play the F major scale on your guitar. You will also find a table of chords you can use with the F major scale, together with their harmonic function.



F major
Pattern I

       MajF-Shape1.jpg





F major
Pattern II

      MajF-Shape2.jpg





F major
Pattern III

      MajF-Shape3.jpg





F major
Pattern IV

      MajF-Shape4.jpg 





F major
Pattern V

       MajF-Shape5.jpg





F major
Pattern VI

      MajF-Shape6.jpg





F major
Pattern VII

     MajF-Shape7.jpg



The following chords can be played when using the F major scale.

I
    F
I7
    F7
 
ii
    Gm
II7
    G7
ii7b5
    Gm7b5 
iii
    Am
III7
    A7 
bIII
    Ab 
IV
    Bb 
ii7b5/iii
    Bm7b5 
iv
    Bbm
V
    C
V7
    C7
v
    Cm
vi
    Dm
VI7
    D7 
bVI
    Db 
vii
    Edim
vii7b5 
    Em7b5 
bVII
    Eb 

F#/Gb major

MajGb-Score.png

The F sharp major scale has six sharps (F#, G#, A#, C#, D#, and E#), the same amount of flats its enharmonic equivalent -G flat major- has (Gb, Ab, Bb, Cb, Db, Eb). Neither of these keys is regularly used in guitar music: guitar pieces (as well as most pieces for string instruments) are usually written considering the resonance of the instrument and the comfort of the player. Neither is used in orchestral music regularly either. It is an acceptable key for piano pieces, given its easy fingering.

The relative minor scale of F# major (Gb major) is D# minor (Eb minor). The notes that make up the scale are the same ones used for the G# doric mode, Bb phrygian, B lydian, C# mixolydian, and F locrian.

Below you will find the seven shapes that you can use to play the F# major scale on your guitar. You will also find a table of chords you can use with the F# major scale, together with their harmonic function.



F# major
Pattern I


MajGb-Shape1.jpg






F# major
Pattern II

MajGb-Shape2.jpg






F# major
Pattern III

MajGb-Shape3.jpg






F# major
Pattern IV

MajGb-Shape4.jpg






F# major
Pattern V

MajGb-Shape5.jpg






F# major
Pattern VI

MajGb-Shape6.jpg






F# major
Pattern VII

MajGb-Shape7.jpg



The following chords can be played when using the F# major scale.

I
F#
I7
F#7
ii
G#m
II7
G#7
ii7b5
G#m7b5
iii
Bbm
III7
Bb7
bIII
A
IV
B
ii7b5/iii
Cm7b5
iv
Bm
V
C#
V7
C#7
v
C#m
vi
D#m
VI7
Eb7
bVI
D
vii
Fdim
vii7b5
Fm7b5
bVII
E

G major

MajG-Score.png

The G major scale has only one sharp (F#), and it is one of the most frequently used keys for both academic and popular music. This is partly because of its ease of playing in both keyboard and stringed instruments: in the guitar, mandolin, banjo, violin, etc. most of the strings are notes of the scale when played open. The easiest chords to play in the guitar are the ones mainly used in the keys of G and C major. 

The relative minor scale of G major is E minor. The notes that make up the G major scale are the same ones used for the A doric mode, B phrygian, C lydian, D mixolydian, E aeolian (or minor), and F# locrian. Below you will find the seven shapes that you can use to play the G major scale on your guitar. You will also find a table of chords you can use with the G major scale, together with their harmonic function.



G major
Pattern I

      MajG-Shape1.jpg 





G major
Pattern II

      MajG-Shape2.jpg





G major
Pattern III

      MajG-Shape3.jpg





G major
Pattern IV

      MajG-Shape4.jpg
 





G major
Pattern V

       MajG-Shape5.jpg





G major
Pattern VI

      MajG-Shape6.jpg





G major
Pattern VII

     MajG-Shape7.jpg



The following chords can be played when using the G major scale.

I
    G 
I7
    G7
 
ii
    Am
II7
    A7
ii7b5
    Am7b5 
iii
    Bm
III7
    B7 
bIII
    Bb 
IV
    C 
ii7b5/iii
    C#m7b5 
iv
    Cm
V
    D
V7
    D7
v
    Dm
vi
    Em
VI7
    E7 
bVI
    Eb 
vii
    F#dim
vii7b5 
    F#m7b5 
bVII
    F 

G#/Ab major

MajAb-Score.png

The A flat major scale has four flats (Ab, Bb, Db, and Eb), and it is not used often in classical guitar music. It is far more common in classical piano and orchestral music, being, for example, one of Chopin's favorite keys. The relative minor scale of A flat major is F minor. The notes that make up the A flat major scale are the same ones used for the B flat dorian mode, C phrygian, D flat lydian, E flat mixolydian, F aeolian, and G locrian.

Below you will find the seven shapes that you can use to play the A flat major scale on your guitar. You will also find a table of chords you can use with the A flat major scale, together with their harmonic function.



Ab major
Pattern I

       MajAb-Shape1.jpg





Ab major
Pattern II

      MajAb-Shape2.jpg





Ab major
Pattern III

      MajAb-Shape3.jpg





Ab major
Pattern IV

      MajAb-Shape4.jpg
 





Ab major
Pattern V

       MajAb-Shape5.jpg





Ab major
Pattern VI

      MajAb-Shape6.jpg





Ab major
Pattern VII

     MajAb-Shape7.jpg



The following chords can be played when using the A flat major scale.

I
    Ab 
I7
    Ab7
 
ii
    Bbm
II7
    Bb7
ii7b5
    Bbm7b5 
iii
    Cm
III7
    C7 
bIII
    B 
IV
    Db 
ii7b5/iii
    Dm7b5 
iv
    Dbm
V
    Eb
V7
    Eb7
v
    Ebm
vi
    Fm
VI7
    F7 
bVI
    E 
vii
    Gdim
vii7b5 
    Gm7b5 
bVII
    Gb 

A major

MajA-Score.png

The A major scale has three sharps (C#, F#, and G#) and it is a scale very well suited for guitar music, given that its first, second, third, fourth, and fifth degree are open strings (actually conforming a pentatonic scale, which can be considered to be a sort of structural basis for the major scale).

The relative minor scale of A major is C# minor. The notes that make up the A major scale are the same ones used for the B doric mode, C# phrygian, D lydian, E mixolydian, F# aeolian (or minor), and G# locrian. Below you will find the seven shapes that you can use to play the A major scale on your guitar. You will also find a table of chords you can use with the A major scale, together with their harmonic function.



A major
Pattern I

      MajA-Shape1.jpg





A major
Pattern II

     MajA-Shape2.jpg





A major
Pattern III

     MajA-Shape3.jpg





A major
Pattern IV

     MajA-Shape4.jpg





A major
Pattern V

      MajA-Shape5.jpg





A major
Pattern VI

     MajA-Shape6.jpg





A major
Pattern VII

     MajA-Shape7.jpg



The following chords can be played when using the A major scale.

I
    A 
I7
    A7
 
ii
    Bm
II7
    B7
ii7b5
    Bm7b5 
iii
    C#m
III7
    C#7 
bIII
    C 
IV
    D 
ii7b5/iii
    D#m7b5 
iv
    Dm
V
    E
V7
    E7
v
    Em
vi
    F#m
VI7
    F#7 
bVI
    F 
vii
    G#dim
vii7b5 
    G#m7b5 
bVII
    G 

A#/Bb major

MajBb-Score.png

The Bb major scale has two flats (Bb and Eb). Even though three open strings are notes of the scale, it is not so commonly used in guitar music, the main reasons being that most of the fundamental chords used for music in Bb would require a barred position. The most usual way of playing in B flat major in the guitar is to use a capo on the first fret and play as in the key of A major. 

The relative minor scale of Bb major is G minor. The notes that make up the Bb major scale are the same ones used for the C doric mode, D phrygian, Eb lydian, F mixolydian, G aeolian (or minor), and A locrian. Below you will find the seven shapes that you can use to play the Bb major scale. You will also find a table of chords you can use with the Bb major scale, together with their harmonic function.



Bb major
Pattern I

       MajBb-Shape1.jpg





Bb major
Pattern II

      MajBb-Shape2.jpg





Bb major
Pattern III

      MajBb-Shape3.jpg





Bb major
Pattern IV

      MajBb-Shape4.jpg





Bb major
Pattern V

       MajBb-Shape5.jpg





Bb major
Pattern VI

      MajBb-Shape6.jpg





Bb major
Pattern VII

     MajBb-Shape7.jpg



The following chords can be played when using the Bb major scale.

I
    Bb 
I7
    Bb7
 
ii
    Cm7
II7
    C7
ii7b5
    Cm7b5 
iii
    Dm
III7
    D7 
bIII
    Db 
IV
    Eb 
ii7b5/iii
    Em7b5 
iv
    Ebm
V
    F
V7
    F7
v
    Fm7
vi
    Gm
VI7
    G7 
bVI
    Gb 
vii
    Adim
vii7b5 
    Am7b5 
bVII
    Ab 

B major

MajB-Score.png

The B major scale has five sharps (C#, D#, F#, G#, and A#), and it is found with some frequency in guitar music, though not as often as E major. B major was considered by Chopin to be the easiest scale for the piano in terms of fingering, and taught it even before the C major scale.

The relative minor of B majoris G# minor. The notes that make up the B major scale are the same ones used for the C# doric mode, D# phrygian, E lydian, F# mixolydian, G# aeolian (or minor), and A# locrian. Below you will find the seven shapes that you can use to play the B major scale on your guitar. You will also find a table of chords you can use with the B major scale, together with their harmonic function.



B major
Pattern I

       MajB-Shape1.jpg





B major
Pattern II

      MajB-Shape2.jpg





B major
Pattern III

      MajB-Shape3.jpg





B major
Pattern IV

       MajB-Shape4.jpg





B major
Pattern V

       MajB-Shape5.jpg





B major
Pattern VI

      MajB-Shape6.jpg





B major
Pattern VII

     MajB-Shape7.jpg



The following chords can be played when using the B major scale.

I
    B 
I7
    B7
 
ii
    C#m
II7
    C#
ii7b5
    C#m7b5 
iii
    D#m
III7
    D#7 
bIII
    D 
IV
    E 
ii7b5/iii
    Fm7b5 
iv
    Em
V
    F#
V7
    F#7
v
    F#m
vi
    G#m
VI7
    G#7 
bVI
    G 
vii
    A#dim
vii7b5 
    A#m7b5 
bVII
    A 

Minor Scale

One of the most efficient ways to memorize scales and play them on the guitar is using box patterns. These are ways of 'mapping' the scale across the guitar fretboard, creating fixed shapes that can be transposed to play the scale in a different key. They are particularly helpful for improvisation, and once they are memorized, they serve as an excellent aid to understand the visual and auditory relationships between intervals. Select a root note to see a list of box patterns for the minor scale:


C

C#/Db 
 D 

D#/Eb  

E 

F 
F#/Gb

G#/Ab 
A 
A#/Bb
B 


The minor scale is one the most used scales in western music. The term minor scale is quite broad, as it may encompass different variations of what we know as the natural minor scale, or Aeolian scale (as it corresponds to the Aeolian mode according to the modern system of modes). This scale features the intervallic pattern: WHWWHWW (with W meaning whole tone and H meaning half-tone), which corresponds to all the white keys of the piano when played from any A to its octave. If a minor scale and a major scale share a key signature, they are relative keys. Basically, a minor scale has the same notes as its relative major, just starting a sixth above (or a third below).

The harmonic and melodic versions of the minor scale arose as variations on the natural scale, the first to create a leading note for harmonic purposes, and the second to compensate the dissonant interval this new leading tone creating in the melodic runs of the scale.

In a broader sense, the name minor is used for any scale that features a minor third, whether it be the Dorian or Phrygian mode.

C minor

C minor.png

The C minor scale has only three flat notes (Bb, Eb, and Ab), and it is not often used in classical guitar music. It has been historically associated with Beethoven and the musical depictions of heroic struggle.

The relative major scale of C minoris E flat major. The notes that make up the C minor scale are the same ones used for the F doric mode, G phyrigian, Ab lydian, Bb mixolydian, and D locrian. Below you will find the seven shapes that you can use to play the C minor scale on your guitar. You will also find a table of chords you can use with the C minor scale, together with their harmonic function.



C minor
Pattern I

1.jpg






C minor
Pattern II

2.jpg






C minor
Pattern III

3.jpg






C minor
Pattern IV

4.jpg






C minor
Pattern V

5.jpg






C minor
Pattern VI

6.jpg






C minor
Pattern VII

7.jpg



I
Cm
I7
C7
ii7b5
Dm7b5
II7
D7

III
Eb
III7
Eb7
iv
Fm
IV
F
#iv°
F#°
V(7)
G(7)
v
Gm

VI
Ab
#vi7b5
Am7b5
VII
Bb
vii°7
B°7

C#/Db minor

Db minor.png

The C sharp minor scale has three sharps (F#, C#, and G#), and it is sometimes found in classical guitar literature. Its relative major, E major, is one of the most used scales in guitar writing, so it's only natural that works contain fragments in C sharp minor. However, it is not among the most common keys in orchestral and piano writing. In some genres of popular music, guitarists will tune their guitars half a step down (either from standard or dropped tunnings), in order to accommodate singers. Thus, a work played as in D minor may actually sound in C sharp minor. It should be noted that it's enharmonic scale, D flat minor, is almost never used as it is impractical for reading and writing.

The notes that make up the C sharp minor scale are the same ones used for the F# doric mode, G# phrygian, A lydian, B mixolydian, E ionian (or major), and D# locrian. Below you will find the seven shapes that you can use to play the C sharp minor scale on your guitar. You will also find a table of chords you can use with the C sharp minor scale, together with their harmonic function.


C# minor
Pattern I

cs1.jpg






C# minor
Pattern II

cs2.jpg






C# minor
Pattern III

cs3.jpg






C# minor
Pattern IV

cs4.jpg






C# minor
Pattern V

cs5.jpg






C# minor
Pattern VI

cs6.jpg






C# minor
Pattern VII

cs7.jpg



The following chords can be played when using the C# minor scale.

I
C#m
I7
C#7
ii7b5
D#m7b5
II7
D#7

III
E
III7
E7
iv
F#m
IV
F#
#iv°
G°
V(7)
G#(7)
v
G#m

VI
A
#vi7b5
A#m7b5
VII
B
vii°7
C°7

D minor

D minor.png

The D minor scale has only one flat note (Bb), and it is very well suited for guitar writing. Popular scordaturas for the guitar include dropping the low E string to D (thus making possible a very resounding D minor chord, as well as easing fingerings), or dropping all the strings a tone lower (thus making it possible to play in E minor, the most practical key, and sound in D minor). Other stringed instruments may benefit from the key also.

Outside guitar music D minor has been widely used, even being the home key of Beethoven's longest symphony. Sclarlatti wrote about 32 of his 151 minor key-sonatas in D minor, and they often borrow mannerisms from the guitar music of the period. The relative minor scale of D minoris F major. The notes that make up the D minor scale are the same ones used for the G doric mode, A phyrigian, Bb lydian, C mixolydian, D aeolian, and E locrian.

Below you will find the seven shapes that you can use to play the D minor scale on your guitar. You will also find a table of chords you can use with the D minor scale, together with their harmonic function.



D minor
Pattern I

MinD-1.jpg






D minor
Pattern II

MinD-2.jpg






D minor
Pattern III

MinD-3.jpg






D minor
Pattern IV

MinD-4.jpg






D minor
Pattern V

MinD-5.jpg






D minor
Pattern VI

MinD-6.jpg






D minor
Pattern VII

MinD-7.jpg



The following chords can be played when using the D minor scale.

I
Dm
I7
D7
ii7b5
Em7b5
II7
E7

III
F
III7
F7
iv
Gm
IV
G
#iv°
G#°
V(7)
A(7)
v
Am

VI
Bb
#vi7b5
Bm7b5
VII
C
vii°7
C#°7

D#/Eb minor

ebminor.jpg

The E flat minor scale has six flats (Eb, Gb, Ab, Bb, Cb, and Db) and it isn't regularly found in classical guitar music, with composers choosing instead the neighboring (and far better suited for fingering and resonance) keys of D minor and E minor. Some genres of popular music, however, have a tradition of tuning the guitars half a step down in order to accommodate singers, so its common to find pieces played as in E minor and sounding in E flat minor instead.

They key of E flat minor is used with frequency in classical Russian piano tradition. It is also favored by jazz and blues musicians, as it allows for really easy fingerings in pentatonic scales. The relative major scale of E flat minor is G flat major. The notes that make up the scale are the same ones used for the G# doric mode, Bb phrygian, B lydian, C# mixolydian, and F locrian. It should be noted that E flat minor is favored over D sharp minor for its practicality in woodwind writing.

Below you will find the seven shapes that you can use to play the E flat minor scale on your guitar. You will also find a table of chords you can use with the E flat minor scale, together with their harmonic function.


Eb minor
Pattern I

MinEb-Shape1.jpg






Eb minor
Pattern II

MinEb-Shape2.jpg






Eb minor
Pattern III

MinEb-Shape3.jpg






Eb minor
Pattern IV

MinEb-Shape4.jpg






Eb minor
Pattern V

MinEb-Shape5.jpg






Eb minor
Pattern VI

MinEb-Shape6.jpg






Eb minor
Pattern VII

MinEb-Shape7.jpg



The following chords can be played when using the Eb minor scale.

I
Ebm
I7
Eb7
ii7b5
Fm7b5
II7
F7
III
Gb
III7
Gb7
iv
Abm
IV
Ab
#iv°
A°
V(7)
Bb(7)
v
Bbm
VI
Cb
#vi7b5
C#7b5
VII
Db
vii°7
D°7

E minor

E minor.png

The E minor scale has only one sharp note (F#) and it is one of the most used scales in both the classical and popular guitar repertoires, as it is a very natural key for the instrument: four of the guitar's open strings are part of the tonic chord.

The relative major scale of E minor major is G major. The notes that make up the E minor scale are the same ones used for the A doric mode, B phrygian, C lydian, D mixolydian, and F# locrian. Below you will find the seven shapes that you can use to play the E minor scale on your guitar. You will also find a table of chords you can use with the E minor scale, together with their harmonic function.



E minor
Pattern I

MajC-Shape1.jpg






E minor
Pattern II

MajC-Shape2.jpg






E minor
Pattern III

MajC-Shape3.jpg






E minor
Pattern IV

MajC-Shape4.jpg






E minor
Pattern V

MajC-Shape5.jpg






E minor
Pattern VI

MajC-Shape6.jpg






E minor
Pattern VII

MajC-Shape7.jpg




The following chords can be played when using the E minor scale.

I
Em
I7
E7
ii7b5
F#m7b5
II7
F#7
III
G
III7
G7
iv
Am
IV
A
#iv°
A#°
V(7)
B(7)
v
Bm
VI
C
#vi7b5
C#m7b5
VII
D
vii°7
D#°7

F minor

F minor.png

The F minor scale has four flat notes (Ab, Bb, Db, and Eb), and it is not often found in the classical guitar repertoire, though it is an extremely popular key for piano writing, particularly from the romantic era (when it was associated with passionate feelings). Sometimes the key of F minor is achieved in the guitar by playing as in E minor with a capo placed in the first fret, a common practice to accommodate singers. The relative minor scale of F minor major is Ab major. The notes that make up the F minor scale are the same ones used for theB flat dorian mode, C phrygian, D flat lydian, E flat mixolydian, and G locrian.

Below you will find the seven shapes that you can use to play the F minor scale on your guitar. You will also find a table of chords you can use with the F minor scale, together with their harmonic function.


F minor
Pattern I

MinF-Shape1.jpg






F minor
Pattern II

MinF-Shape2.jpg






F minor
Pattern III

MinF-Shape3.jpg






F minor
Pattern IV

MinF-Shape4.jpg






F minor
Pattern V

MinF-Shape5.jpg






F minor
Pattern VI

MinF-Shape6.jpg






F minor
Pattern VII

MinF-Shape7.jpg



The following chords can be played when using the F minor scale.

I
Fm
I7
F7
ii7b5
Gm7b5
II7
G7
III
Ab
III7
Ab7
iv
Bbm
IV
Bb
#iv°
B°
V(7)
C(7)
v
Cm
VI
Db
#vi7b5
Dm7b5
VII
Eb
vii°7
E°7

F#/Gb minor

F sharp minor.png

The F sharp minor scale has three sharps (F#, G#, and C#) and it is usually found in popular guitar pieces (not so often in classical repertoire), as it is the relative minor of A major, a very natural scale for guitar writing. The notes that make up the F sharp minor scale are the same ones used for the B doric mode, C# phrygian, D lydian, E mixolydian, F# aeolian (or minor), and G# locrian. It should be noted that it's enharmonic scale, G flat minor, is almost never used as it is impractical for reading and writing.

Below you will find the seven shapes that you can use to play the F sharp minor scale on your guitar. You will also find a table of chords you can use with the F sharp minor scale, together with their harmonic function.


F# minor
Pattern I

MinGb-Shape1.jpg






F# minor
Pattern II

MinGb-Shape2.jpg






F# minor
Pattern III

MinGb-Shape3.jpg






F# minor
Pattern IV

MinGb-Shape4.jpg






F# minor
Pattern V

MinGb-Shape5.jpg






F# minor
Pattern VI

MinGb-Shape6.jpg






F# minor
Pattern VII

MinGb-Shape7.jpg



The following chords can be played when using the F# minor scale.

I
F#m
I7
F7
ii7b5
G#m7b5
II7
G7
III
A
III7
A7
iv
Bm
IV
B
#iv°
C°
V(7)
C#(7)
v
C#m
VI
D
#vi7b5
D#m7b5
VII
E
vii°7
F°7

G minor

gminor.png

The G minor scale has two flats (Eb, and Bb), and it is seldom used in classical guitar pieces. Since the classical period it has been associated with sadness (mainly due to Mozart's use of it). The relative minor scale of G minor is Bb major. The notes that make up the G minor scale are the same ones used for the C doric mode, D phrygian, Eb lydian, F mixolydian, and A locrian.

Below you will find the seven shapes that you can use to play the G minor scale on your guitar. You will also find a table of chords you can use with the G minor scale, together with their harmonic function.


G minor
Pattern I

MinG-Shape1.jpg






G minor
Pattern II

MinG-Shape2.jpg






G minor
Pattern III

MinG-Shape3.jpg






G minor
Pattern IV

MinG-Shape4.jpg






G minor
Pattern V

MinG-Shape5.jpg






G minor
Pattern VI

MinG-Shape6.jpg






G minor
Pattern VII

MinG-Shape7.jpg



The following chords can be played when using the G minor scale.

I
Gm
I7
G7
ii7b5
Am7b5
II7
A7
III
Bb
III7
Bb7
iv
Cm
IV
C
#iv°
C#°
V(7)
D(7)
v
Dm
VI
Eb
#vi7b5
Em7b5
VII
F
vii°7
F#°7

G#/Ab minor

G sharp minor.png

The G sharp minor scale has four sharps (F#, G#, C#, and D#) and it is not common to use it in guitar writing. It is sometimes achieved by playing as in A minor in a guitar tuned down half a step, a practice used in some styles to accommodate singers. The relative minor scale of G sharp minor is B major. The notes that make up the G sharp minor scale are the same ones used for the C# doric mode, D# phrygian, E lydian, F# mixolydian, G# aeolian (or minor), and A# locrian. It should be noted that it's enharmonic scale, A flat flat minor, is not so commonly used as it is impractical for reading and writing.

Below you will find the seven shapes that you can use to play the G sharp minor scale on your guitar. You will also find a table of chords you can use with the G sharp minor scale, together with their harmonic function.


G# minor
Pattern I

MinAb-Shape1.jpg






G# minor
Pattern II

MinAb-Shape2.jpg






G# minor
Pattern III

MinAb-Shape3.jpg






G# minor
Pattern IV

MinAb-Shape4.jpg






G# minor
Pattern V

MinAb-Shape5.jpg






G# minor
Pattern VI

MinAb-Shape6.jpg






G# minor
Pattern VII

MinAb-Shape7.jpg



The following chords can be played when using the G# minor scale.

I
G#m
I7
G#7
ii7b5
A#m7b5
II7
A#7
III
B
III7
B7
iv
C#m
IV
C#
#iv°
D°
V(7)
D#(7)
v
D#m
VI
E
#vi7b5
Fm7b5
VII
F#
vii°7
G°7

A minor

MinA-7 score.png

The A minor scale is the archetypal example of a minor scale. It is made up of all the natural notes (the white notes of the piano), thus being the easiest scale to write and read. It is also one of the most used keys in both classical and popular guitar pieces. The relative major scale of A minor is C major. The notes that make up the A minor scale (also the A aeolian) are the same ones used for the D doric mode, E phrygian, F lydian, G mixolydian, C ionian, and B locrian.

Below you will find the seven shapes that you can use to play the A minor scale on your guitar. You will also find a table of chords you can use with the A minor scale, together with their harmonic function.


A minor
Pattern I

MinA-1.jpg






A minor
Pattern II

MinA-2.jpg






A minor
Pattern III

MinA-3.jpg






A minor
Pattern IV

MinA-4.jpg






A minor
Pattern V

MinA-5.jpg






A minor
Pattern VI

MinA-6.jpg






A minor
Pattern VII

MinA-7.jpg

The following chords can be played when using the A minor scale.

I
Am
I7
A7
ii7b5
Bm7b5
II7
B7
III
C
III7
C7
iv
Dm
IV
D
#iv°
D#°
V(7)
E(7)
v
Em
VI
F
#vi7b5
F#m7b5
VII
G
vii°7
G#°7

A#/Bb minor

bbmin.png

The B flat minor scale has five flat notes (Bb, Db, Eb, Gb, and Ab), and it is not a common key for guitar pieces, though it can be indirectly achieved by playing in B minor with the strings tuned a half step down, or playing in A minor with a capo in the first fret. It is usually considered a dark and moody key. It should be noted that it's enharmonic scale, A sharp minor, is almost never used as it is impractical for reading and writing.

The relative major scale of B flat minor is D flat major. The notes that make up the B flat minor scale are the same ones used for the Eb doric mode, F phrygian, Gb lydian, Ab mixolydian, Bb aeolian (or minor), and C locrian. Below you will find the seven shapes that you can use to play the B flat minor scale on your guitar. You will also find a table of chords you can use with the B flat minor scale, together with their harmonic function.


Bb minor
Pattern I

MinBb-1.jpg






Bb minor
Pattern II

MinBb-2.jpg






Bb minor
Pattern III

MinBb-3.jpg






Bb minor
Pattern IV

MinBb-4.jpg






Bb minor
Pattern V

MinBb-5.jpg






Bb minor
Pattern VI

MinBb-6.jpg






Bb minor
Pattern VII

MinBb-7.jpg



The following chords can be played when using the Bb minor scale.

I
Bbm
I7
Bb7
ii7b5
Cm7b5
II7
C7
III
Db
III7
Db7
iv
Ebm
IV
Eb
#iv°
E°
V(7)
F(7)
v
Fm
VI
Gb
#vi7b5
Gm7b5
VII
Ab
vii°7
A°7

B minor

bmin.png

The B minor scale has two sharps (C# and F#) and it is usually found in classical guitar music, though not as frequently as E and A minor. The relative minor scale of B minor is D major. The notes that make up the B minor scale are the same ones used for theE doric mode, F# phrygian, G lydian, A mixolydian, and C# locrian.

Below you will find the seven shapes that you can use to play the B minor scale on your guitar. You will also find a table of chords you can use with the B minor scale, together with their harmonic function.


B minor
Pattern I

MinB-1.jpg






B minor
Pattern II

MinB-2.jpg






B minor
Pattern III

MinB-3.jpg






B minor
Pattern IV

MinB-4.jpg






B minor
Pattern V

MinB-5.jpg






B minor
Pattern VI

MinB-6.jpg






B minor
Pattern VII

MinB-7.jpg



The following chords can be played when using the B minor scale.

I
Bm
I7
B7
ii7b5
C#m7b5
II7
C#7
III
D
III7
D7
iv
Em
IV
E
#iv°
F°
V(7)
F#(7)
v
F#m
VI
G
#vi7b5
G#m7b5
VII
A
vii°7
A#°7

Harmonic Minor Scale

One of the most efficient ways to memorize scales and play them on the guitar is using box patterns. These are ways of 'mapping' the scale across the guitar fretboard, creating fixed shapes that can be transposed to play the scale in a different key. Once the patterns for the natural minor scale have been memorized, raising the seventh degree by one semitone (that is, playing the note that comes before the tonic one fret higher) will give the harmonic minor scale as a result. This will create some fingering differences: below you'll find the graphic representation of all the box patterns for the harmonic minor scale in every key. Select a root note to see a list of box patterns for the harmonic minor scale:





C#/Db     
D 

D#/Eb     



F 
F#/Gb 
G 
G#/Ab 
A 
A#/Bb 
B 


The harmonic minor scale is one of the possible variations of the natural minor scale, in which the seventh degree is raised by one semitone. This makes the seventh degree into a leading tone for the tonic, and also transforms the otherwise minor V chord of the minor scale into a major chord. The scale is so named because this alteration is a common foundation for harmonies used in a minor key: besides making the V chord into a major chord, it may be used to transform the VII into a diminished chord and the IIi into an augmented chord.

The raising of the seventh degree creates a one-and-a-half-tone interval from the sixth to the seventh degree of the scale, thus giving the scale runs a sonority that was deemed harsh in the common practice period. Maybe for this reason the scale hasn't seen much melodic uses when it comes to classical academic music. In modern music, the augmented interval has been sometimes exploited in order to create an eastern, exotic feeling, due to the scale's rough similarity with the Hijaz jins and Nahawand-Hijaz arabic scales. The so called Hungarian scale is also similar, but with an raised fourth degree (making for an even tenser sound, with the addition of other augment interval).

C minor (harmonic)


C harmonic
Pattern I






C harmonic
Pattern II






C harmonic
Pattern III






C harmonic
Pattern IV






C harmonic
Pattern V






C harmonic
Pattern VI






C harmonic
Pattern VII

C#/Db minor (harmonic)



C# harmonic
Pattern I






C# harmonic
Pattern II






C# harmonic
Pattern III






C# harmonic
Pattern IV






C# harmonic
Pattern V






C# harmonic
Pattern VI






C# harmonic
Pattern VII

D minor (harmonic)



D harmonic
Pattern I





D harmonic
Pattern II






D harmonic
Pattern III






D harmonic
Pattern IV






D harmonic
Pattern V






D harmonic
Pattern VI






D harmonic
Pattern VII


D#/Eb minor (harmonic)



Eb harmonic
Pattern I






Eb harmonic
Pattern II






Eb harmonic
Pattern III






Eb harmonic
Pattern IV






Eb harmonic
Pattern V






Eb harmonic
Pattern VI






Eb harmonic
Pattern VII


E minor (harmonic)



E harmonic
Pattern I






E harmonic
Pattern II






E harmonic
Pattern III






E harmonic
Pattern IV






E harmonic
Pattern V






E harmonic
Pattern VI






E harmonic
Pattern VII

F minor (harmonic)



F harmonic
Pattern I






F harmonic
Pattern II






F harmonic
Pattern III






F harmonic
Pattern IV






F harmonic
Pattern V






F harmonic
Pattern VI






F harmonic
Pattern VII


F#/Gb minor (harmonic)



F# harmonic
Pattern I






F# harmonic
Pattern II






F# harmonic
Pattern III






F# harmonic
Pattern IV






F# harmonic
Pattern V






F# harmonic
Pattern VI






F# harmonic
Pattern VII


G minor (harmonic)



G harmonic
Pattern I






G harmonic
Pattern II






G harmonic
Pattern III






G harmonic
Pattern IV






G harmonic
Pattern V






G harmonic
Pattern VI






G harmonic
Pattern VII


G#/Ab minor (harmonic)



Ab harmonic
Pattern I






Ab harmonic
Pattern II






Ab harmonic
Pattern III






Ab harmonic
Pattern IV






Ab harmonic
Pattern V






Ab harmonic
Pattern VI






Ab harmonic
Pattern VII


A minor (harmonic)



A harmonic
Pattern I






A harmonic
Pattern II






A harmonic
Pattern III






A harmonic
Pattern IV






A harmonic
Pattern V






A harmonic
Pattern VI






A harmonic
Pattern VII

A#/Bb minor (harmonic)



Bb harmonic
Pattern I






Bb harmonic
Pattern II






Bb harmonic
Pattern III






Bb harmonic
Pattern IV






Bb harmonic
Pattern V






Bb harmonic
Pattern VI






Bb harmonic
Pattern VII


B minor (harmonic)




B harmonic
Pattern I






B harmonic
Pattern II






B harmonic
Pattern III






B harmonic
Pattern IV






B harmonic
Pattern V






B harmonic
Pattern VI






B harmonic
Pattern VII


Melodic Minor Scale

One of the most efficient ways to memorize scales and play them on the guitar is using box patterns. These are ways of 'mapping' the scale across the guitar fretboard, creating fixed shapes that can be transposed to play the scale in a different key. Once the patterns for the natural minor scale have been memorized, raising the sixth and seventh degrees by one semitone (that is, playing them one fret higher) will give the melodic minor scale as a result.

This will create some fingering differences: below you'll find the graphic representation of all the box patterns for the harmonic minor scale in every key. Select a root note to see a list of box patterns for the harmonic minor scale:



C

C#/Db 
D

D#/Eb 

E 

F 
F#/Gb 
G 
G#/Ab 
A 
A#/Bb 
B 


The melodic minor scale is a variation of the natural minor scale in which the sixth and seventh degrees are raised. The harmonic minor makes use of the raised seventh degree in order to create a leading tone to the tonic, but as a consequence, an augmented second interval appears between the sixth and seventh degrees. Common practice composers found this to be a generally harsh sounding leap when it came to melodies, and some considered it unnatural for vocal music. This eventually led to the rising of the sixth degree in order to reduce the interval. Thus, the melodic minor scale's status as a real scale is debatable, as some consider it like a mere variation employed for melody constructing purposes.

The rising of the sixth degree makes the second tetrachord of the scale identical to that of a major scale. It also opens the door to the use of the major IV chord, as well as the half-diminished raised VI chord.

C minor (melodic)




C melodic
Pattern I






C melodic
Pattern II






C melodic
Pattern III






C melodic
Pattern IV






C melodic
Pattern V






C melodic
Pattern VI






C melodic
Pattern VII


C#/Db minor (melodic)




C# melodic
Pattern I






C# melodic
Pattern II






C# melodic
Pattern III






C# melodic
Pattern IV






C# melodic
Pattern V






C# melodic
Pattern VI






C# melodic
Pattern VII

D minor (melodic)




D melodic
Pattern I






D melodic
Pattern II






D melodic
Pattern III






D melodic
Pattern IV






D melodic
Pattern V






D melodic
Pattern VI






D melodic
Pattern VII

D#/Eb minor (melodic)




Eb melodic
Pattern I






Eb melodic
Pattern II






Eb melodic
Pattern III






Eb melodic
Pattern IV






Eb melodic
Pattern V






Eb melodic
Pattern VI






Eb melodic
Pattern VII

E minor (melodic)




E melodic
Pattern I






E melodic
Pattern II






E melodic
Pattern III






E melodic
Pattern IV






E melodic
Pattern V






E melodic
Pattern VI






E melodic
Pattern VII

F minor (melodic)




F melodic
Pattern I






F melodic
Pattern II






F melodic
Pattern III






F melodic
Pattern IV






F melodic
Pattern V






F melodic
Pattern VI






F melodic
Pattern VII

F#/Gb minor (melodic)




F# melodic
Pattern I






F# melodic
Pattern II






F# melodic
Pattern III






F# melodic
Pattern IV






F# melodic
Pattern V






F# melodic
Pattern VI






F# melodic
Pattern VII

G minor (melodic)




G melodic
Pattern I






G melodic
Pattern II






G melodic
Pattern III






G melodic
Pattern IV






G melodic
Pattern V






G melodic
Pattern VI






G melodic
Pattern VII

G#/Ab minor (melodic)





G# melodic
Pattern I






G# melodic
Pattern II






G# melodic
Pattern III






G# melodic
Pattern IV






G# melodic
Pattern V






G# melodic
Pattern VI






G# melodic
Pattern VII

A minor (melodic)




A melodic
Pattern I






A melodic
Pattern II






A melodic
Pattern III






A melodic
Pattern IV






A melodic
Pattern V






A melodic
Pattern VI






C melodic
Pattern VII

A#/Bb minor (melodic)




Bb melodic
Pattern I






Bb melodic
Pattern II






Bb melodic
Pattern III






Bb melodic
Pattern IV






Bb melodic
Pattern V






Bb melodic
Pattern VI






Bb melodic
Pattern VII

B minor (melodic)




B melodic
Pattern I






B melodic
Pattern II






B melodic
Pattern III






B melodic
Pattern IV






B melodic
Pattern V






B melodic
Pattern VI






B melodic
Pattern VII

Pentatonic Major Scale

-One of the most efficient ways to memorize scales and play them on the guitar is using box patterns. These are ways of 'mapping' the scale across the guitar fretboard, creating fixed shapes that can be transposed to play the scale in a different key. They are particularly helpful for improvisation, and once they are memorized, they serve as an excellent aid to understand the visual and auditory relationships between intervals. Select a root note to see a list of box patterns for the pentatonic scale:



C#/Db 
D 
D#/Eb 

F#/Gb 
G 
G#/Ab 
A     
A#/Bb     
B 


The pentatonic scale, as it name implies, it's made up of five notes instead of the regular seven (such as the minor/major scale and the greek modes). For study purposes only, the major pentatonic scale may be thought of as an incomplete major scale, though it is crucial to understand that the pentatonic has a unique character and it is a complete scale per se. Taking any major scale and removing the fourth and seventh degrees will result in what is traditionally known as a major pentatonic scale. Thus, the C pentatonic major scale is made up of the notes C, D, E, G, and A.

The term 'pentatonic' may be understood in a broader sense: any scale that's made up of five notes is technically a pentatonic scale. They occur in traditional and folk music from West Africa, India, Asia, South America, Eastern Europe, the nordic countries, etc. Scales strikingly similar to the western major and minor pentatonic are found throughout most cultures, and this pervasiveness has been the subject of numerous studies. This peculiarity makes the pentatonic scale an useful resource for creating an eastern sound when writing melodies or improvising. The pentatonic scale has seen numerous uses in musical education, playing an important role in the first stages of the Orff, Kodaly, and Waldorf methodologies. The fact that it is almost impossible to incur in harmonic 'mistakes' when improvising with it, together with its intuitiveness and its flexibility in harmonization make the pentatonic scale a very useful teaching tool.

C Pentatonic Major



C pentatonic
major

Pattern I




C pentatonic
major

Pattern II




C pentatonic
major

Pattern III




C pentatonic
major

Pattern IV




C pentatonic
major

Pattern V

C#/Db Pentatonic Major




Db pentatonic
major

Pattern I



Db pentatonic
major

Pattern II




Db pentatonic
major

Pattern III




Db pentatonic
major

Pattern IV




Db pentatonic
major

Pattern V

D Pentatonic Major




D pentatonic
major

Pattern I




D pentatonic
major

Pattern II



D pentatonic
major

Pattern III



D pentatonic
major

Pattern IV



D pentatonic
major

Pattern V

D#/Eb Pentatonic Major




Eb pentatonic
major

Pattern I



Eb pentatonic
major

Pattern II



Eb pentatonic
major

Pattern III



Eb pentatonic
major

Pattern IV



Eb pentatonic
major

Pattern V

E Pentatonic Major




E pentatonic
major

Pattern I



E pentatonic
major

Pattern II



E pentatonic
major

Pattern III



E pentatonic
major

Pattern IV



E pentatonic
major

Pattern V

F Pentatonic Major




F pentatonic
major

Pattern I



F pentatonic
major

Pattern II



F pentatonic
major

Pattern III



F pentatonic
major

Pattern IV



F pentatonic
major

Pattern V

F#/Gb Pentatonic Major





F# pentatonic
major

Pattern I



F# pentatonic
major

Pattern II



F# pentatonic
major

Pattern III



F# pentatonic
major

Pattern IV



F# pentatonic
major

Pattern V

G Pentatonic Major




G pentatonic
major

Pattern I



G pentatonic
major

Pattern II



G pentatonic
major

Pattern III



G pentatonic
major

Pattern IV



G pentatonic
major

Pattern V

G#/Ab Pentatonic Major




Ab pentatonic
major

Pattern I



Ab pentatonic
major

Pattern II



Ab pentatonic
major

Pattern III



Ab pentatonic
major

Pattern IV



Ab pentatonic
major

Pattern V

A Pentatonic Major





A pentatonic
major

Pattern I



A pentatonic
major

Pattern II



A pentatonic
major

Pattern III




A pentatonic
major

Pattern IV



A pentatonic
major

Pattern V

A#/Bb Pentatonic Major





Bb pentatonic
major

Pattern I




Bb pentatonic
major

Pattern II




Bb pentatonic
major

Pattern III




Bb pentatonic
major

Pattern IV




Bb pentatonic
major

Pattern V

B Pentatonic Major





B pentatonic
major

Pattern I




B pentatonic
major

Pattern II




B pentatonic
major

Pattern III




B pentatonic
major

Pattern IV




B pentatonic
major

Pattern V

Pentatonic Minor Scale

One of the most efficient ways to memorize scales and play them on the guitar is using box patterns. These are ways of 'mapping' the scale across the guitar fretboard, creating fixed shapes that can be transposed to play the scale in a different key. They are particularly helpful for improvisation, and once they are memorized, they serve as an excellent aid to understand the visual and auditory relationships between intervals. Select a root note to see a list of box patterns for the pentatonic scale:


C 
C#/Db 
D 
D#/Eb  
 
F 
F#/Gb 
G 
G#/Ab 
A 
A#/Bb    
B 


The pentatonic scale, as it name implies, it's made up of five notes instead of the regular seven (such as the minor/major scale and the greek modes). For study purposes only, the major pentatonic scale may be thought of as an incomplete major scale, though it is crucial to understand that the pentatonic has a unique character and it is a complete scale per se. Taking any major scale and removing the fourth and seventh degrees will result in what is traditionally known as a major pentatonic scale. Thus, the C pentatonic major scale is made up of the notes C, D, E, G, and A.

The term 'pentatonic' may be understood in a broader sense: any scale that's made up of five notes is technically a pentatonic scale. They occur in traditional and folk music from West Africa, India, Asia, South America, Eastern Europe, the nordic countries, etc. Scales strikingly similar to the western major and minor pentatonic are found throughout most cultures, and this pervasiveness has been the subject of numerous studies. This peculiarity makes the pentatonic scale an useful resource for creating an eastern sound when writing melodies or improvising. The pentatonic scale has seen numerous uses in musical education, playing an important role in the first stages of the Orff, Kodaly, and Waldorf methodologies. The fact that it is almost impossible to incur in harmonic 'mistakes' when improvising with it, together with its intuitiveness and its flexibility in harmonization make the pentatonic scale a very useful teaching tool.

C Pentatonic Minor





C pentatonic
minor

Pattern I




C pentatonic
minor

Pattern II




C pentatonic
minor

Pattern III




C pentatonic
minor

Pattern IV




C pentatonic
minor

Pattern V

C#/Db Pentatonic Minor




C# pentatonic
minor

Pattern I




C# pentatonic
minor

Pattern II




C# pentatonic
minor

Pattern III




C# pentatonic
minor

Pattern IV




C# pentatonic
minor

Pattern V

E Pentatonic Minor




E pentatonic
minor

Pattern I




E pentatonic
minor

Pattern II




E pentatonic
minor

Pattern III




E pentatonic
minor

Pattern IV




E pentatonic
minor

Pattern V

F#/Gb Pentatonic Minor




F# pentatonic
minor

Pattern I




F# pentatonic
minor

Pattern II




F# pentatonic
minor

Pattern III




F# pentatonic
minor

Pattern IV




F# pentatonic
minor

Pattern V

G Pentatonic Minor




G pentatonic
minor

Pattern I




G pentatonic
minor

Pattern II




G pentatonic
minor

Pattern III




G pentatonic
minor

Pattern IV




G pentatonic
minor

Pattern V

D Pentatonic Minor





D pentatonic
minor

Pattern I




D pentatonic
minor

Pattern II




D pentatonic
minor

Pattern III




D pentatonic
minor

Pattern IV




D pentatonic
minor

Pattern V

A#/Bb Pentatonic Minor




Bb pentatonic
minor

Pattern I




Bb pentatonic
minor

Pattern II




Bb pentatonic
minor

Pattern III




Bb pentatonic
minor

Pattern IV




Bb pentatonic
minor

Pattern V

A Pentatonic Minor




A pentatonic
minor

Pattern I




A pentatonic
minor

Pattern II




A pentatonic
minor

Pattern III




A pentatonic
minor

Pattern IV




A pentatonic
minor

Pattern V

F Pentatonic Minor




F pentatonic
minor

Pattern I




F pentatonic
minor

Pattern II




F pentatonic
minor

Pattern III




F pentatonic
minor

Pattern IV




F pentatonic
minor

Pattern V

B Pentatonic Minor



B pentatonic
minor

Pattern I




B pentatonic
minor

Pattern II




B pentatonic
minor

Pattern III




B pentatonic
minor

Pattern IV




B pentatonic
minor

Pattern V

D#/Eb Pentatonic Minor



Eb pentatonic
minor

Pattern I




Eb pentatonic
minor

Pattern II




Eb pentatonic
minor

Pattern III




Eb pentatonic
minor

Pattern IV




Eb pentatonic
minor

Pattern V

G#/Ab Pentatonic Minor




G# pentatonic
minor

Pattern I




G# pentatonic
minor

Pattern II




G# pentatonic
minor

Pattern III




G# pentatonic
minor

Pattern IV




G# pentatonic
minor

Pattern V

Dorian Mode

One of the most efficient ways to memorize scales and play them on the guitar is using box patterns. These are ways of 'mapping' the scale across the guitar fretboard, creating fixed shapes that can be transposed to play the scale in a different key. They are particularly helpful for improvisation, and once they are memorized, they serve as an excellent aid to understand the visual and auditory relationships between intervals. Select a root note to see a list of box patterns for the major scale:


C 

C#/Db  

D 

D#/Eb  
  
E 

F 

F#/Gb  
G 
G#/Ab 
A 
A#/Bb  
B 


The Dorian or Doric mode, in modern music theory, is a modal diatonic scale. It corresponds to the white keys of the piano from D to D or any transposition of this WHWWWHW intervallic pattern (with H meaning haf-tone and W meaning whole tone). Though historically different, it can be seen as a minor scale with its sixth grade ascended, and it is often considered as an offshot of the minor scale. It is usually used as a compositional device for deviating from the traditional minor sound, as the ascended sixth creates a IVM chord, and a somewhat medieval-like sound in melodies.

The dorian mode is named after the dorian greeks (an ethnic group of the ancient greek people, together with the aeolians, achaeans and ionians). Somewhat confusingly, the term dorian was applied to a number of different scales historically (since the modern naming system we use for modes is actually the result of a series of interpretations and sometimes wrong translations carried out by music theorists of the middle ages). For example, it is believed that one of the uses of the term dorian in greek music referred to what we today know as phrygian scale.

There are a number of famous compositions in dorian mode: Drunken sailir, Maiden Voyage (by Herbie Hancock), Milestones (by Miles Davies), etc.


C Dorian Mode



C doric
Pattern I






C doric
Pattern II






C doric
Pattern III






C doric
Pattern IV






C doric
Pattern V






C doric
Pattern VI






C doric
Pattern VII

C#/Db Dorian Mode



C sharp doric
Pattern I






C sharp doric
Pattern II






C sharp doric
Pattern III






C sharp doric
Pattern IV






C sharp doric
Pattern V






C sharp doric
Pattern VI






C sharp doric
Pattern VII

D Dorian Mode



D doric
Pattern I






D doric
Pattern II






D doric
Pattern III






D doric
Pattern IV






D doric
Pattern V






D doric
Pattern VI






D doric
Pattern VII

D#/Eb Dorian Mode



E flat doric
Pattern I






E flat doric
Pattern II






E flat doric
Pattern III






E flat doric
Pattern IV






E flat doric
Pattern V






E flat doric
Pattern VI





E flat doric
Pattern VII

E Dorian Mode



E doric
Pattern I






E doric
Pattern II






E doric
Pattern III






E doric
Pattern IV






E doric
Pattern V






E doric
Pattern VI






E doric
Pattern VII

F Dorian Mode



F doric
Pattern I






F doric
Pattern II






F doric
Pattern III






F doric
Pattern IV






F doric
Pattern V






F doric
Pattern VI






F doric
Pattern VII

F#/Gb Dorian Mode



F sharp doric
Pattern I






F sharp doric
Pattern II






F sharp doric
Pattern III






F sharp doric
Pattern IV






F sharp doric
Pattern V






F sharp doric
Pattern VI






F sharp doric
Pattern VII

G#/Ab Dorian Mode



A flat doric
Pattern I






A flat doric
Pattern II






A flat doric
Pattern III






A flat doric
Pattern IV






A flat doric
Pattern V






A flat doric
Pattern VI






C doric
Pattern VII

G Dorian Mode



G doric
Pattern I






G doric
Pattern II






G doric
Pattern III






G doric
Pattern IV






G doric
Pattern V






G doric
Pattern VI






G doric
Pattern VII

A Dorian Mode



A doric
Pattern I






A doric
Pattern II






A doric
Pattern III






A doric
Pattern IV






A doric
Pattern V






A doric
Pattern VI






A doric
Pattern VII

A#/Bb Dorian Mode



B flat doric
Pattern I






B flat doric
Pattern II






B flat doric
Pattern III






B flat doric
Pattern IV






B flat doric
Pattern V






B flat doric
Pattern VI






B flat doric
Pattern VII

B Dorian Mode



B doric
Pattern I






B doric
Pattern II






B doric
Pattern III






B doric
Pattern IV






B doric
Pattern V






B doric
Pattern VI






B doric
Pattern VII