Semyon Panchenko Sheet Music

  • Born
    1867
  • Died
    1937
  • Birthplace
    Sudzhansky Uezd, in today’s Kursk district, Russia

Semyon Panchenko studied composition with A. Liadov; in the 1900s had a private music school in St. Petersburg; concertized as a symphony conductor. Later relinquished conducting and occupied himself with composition; besides sacred works, composed piano works, romances, etc. Panchenko’s published sacred works number more than 125 (publ. by P. Jurgenson, et al.), including complete cycles of the Divine Liturgy, the All-Night Vigil, the Memorial Service, etc. The greater part of Panchenko’s works comprises arrangements primarily of the so-called Court Chant, written in a rich, chordal style for six to eight voices. Besides these, Panchenko compiled a “Folk Obikhod” — numerous arrangements of the simplest common chants in a harmonization replete with empty fifths and fourths, unison cadences, etc.; these arrangements, however, did not receive widespread use in church-musical practice. Some of Panchenko’s original sacred compositions employ a musical language considered at the time to be modernistic.

Title Form Instrument
2 Pieces for Cello and Piano, Op.38 Duet Solo Instrument and Piano
2 Pieces, Op.1 Piano piece Piano
3 Pieces, Op.56 Piano piece Piano
3 Sonnets, Op.2 Piano piece Piano
3 Sonnets, Op.35 Piano piece Piano
3 Sonnets, Op.43 Piano piece Piano
3 Sonnets, Op.49 Piano piece Piano
3 Sonnets, Op.51 Piano piece Piano
4 Arabesques, Op.3 Piano piece Piano
4 Pieces, Op.63 Piano piece Piano
4 Pieces, Op.64 Piano piece Piano
4 Pieces, Op.67 Piano piece Piano
5 Arabesques, Op.59 Piano piece Piano
5 Pièces infantines, Op.17 Piano piece Piano
10 Pièces intimes, Op.39 Piano piece Piano
Catalectes, Op.60 Piano piece Piano
2 Preludes, Op.57 Prelude Piano
3 Preludes, Op.66 Prelude Piano
5 Preludes, Op.65 Prelude Piano