Cello Suite no. 3 in C, BWV 1009

The Prelude of this suite consists of an A–B–A–C form. The Allemande is the only movement in the suites that has an up-beat consisting of three semiquavers instead of just one, which is the standard form. The second Bourrée, though in C minor, has a 2-flat key-signature. This notation, common in pre-Classical music, is sometimes known as a partial key-signature. The first and second Bourrée of the third suite is sometimes used as solo material for other bass instruments such as the tuba, euphonium, trombone and bassoon.

About this Piece

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Sheet Music

Sheet Music Complete Score
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Recordings

RecordingCello Suite no. 3 in C, BWV 1009 - Complete Performance
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RecordingCello Suite no. 3 in C, BWV 1009 - I. Prelude
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RecordingCello Suite no. 3 in C, BWV 1009 - II. Allemande
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RecordingCello Suite no. 3 in C, BWV 1009 - III. Courante
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RecordingCello Suite no. 3 in C, BWV 1009 - IV. Serabande Bourree No.1
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RecordingCello Suite no. 3 in C, BWV 1009 - V. Serabande Bourree No.2
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RecordingCello Suite no. 3 in C, BWV 1009 - VI. Serabande Gigue
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RecordingCello Suite no. 3 in C, BWV 1009 - 1. Prelude
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RecordingCello Suite no. 3 in C, BWV 1009 - 2. Allemande
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RecordingCello Suite no. 3 in C, BWV 1009 - 3. Courante
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RecordingCello Suite no. 3 in C, BWV 1009 - 4. Sarabande
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Samples

Cello Suite no. 3 in C, BWV 1009
Cello Suite no. 3 in C, BWV 1009
Cello Suite no. 3 in C, BWV 1009
Cello Suite no. 3 in C, BWV 1009
Cello Suite no. 3 in C, BWV 1009
Cello Suite no. 3 in C, BWV 1009
Cello Suite no. 3 in C, BWV 1009
Cello Suite no. 3 in C, BWV 1009
Cello Suite no. 3 in C, BWV 1009
Cello Suite no. 3 in C, BWV 1009
Cello Suite no. 3 in C, BWV 1009

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