Pièces de viole, Livre II

Pièces de viole were collections of suites for bass viol and usually continuo written by several French Baroque composers, most notably Marin Marais, whose five Livres form a core of the viol repertoire. This particular book was fisrt published in 1701 in Paris and dedicated to Son Altesse Royale Monseigneur le Duc d'Orleans.

This piece contains the following parts:

  Song Title Performer License Download HD
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Thema (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation I (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation II (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation III (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation IV (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation V (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation VI (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation VII (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation VIII (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation IX (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation X (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation XI (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation XII (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation XIII (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation XIV (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation XV (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation XVI (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation XVII (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation XVIII (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation XIX (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation XX (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation XXI (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation XXII (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation XXIII (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation XXIV (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation XXV (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation XXVI (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation XXVII (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation XXVIII (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation XXVIV (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation XXX (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Variation XXXI (For Oboe d'amore and Continuo)
Pièces de viole, Livre II - Couplets de Folies (No. 20) - Theme Reprise (For Oboe d'amore and Continuo)
Composer Form Instrument Period
Marin Marais Piece Viola Baroque

Marin Marais

Marin Marais was a French composer and viol player. He studied composition with Jean-Baptiste Lully, often conducting his operas, and with master ...
Quality of recording:
Quality of playing: