Adolf von Henselt
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Portrait of Adolf von Henselt, with scrap of music
Adolf von Henselt (12 May 1814 – 10 October 1889) was a German composer and pianist.
Henselt was born at Schwabach, in Bavaria. At the age of three he began to learn the violin, and at five the piano under Josepha von Fladt. On obtaining financial help from King Ludwig I of Bavaria he went to study under Johann Nepomuk Hummel in Weimar for some months, and thence in 1832 to Vienna, where, besides studying composition under Simon Sechter (the later teacher of Anton Bruckner), he made a great success as a concert pianist.
In order to improve his health he made a prolonged tour in 1836 through the chief German towns. In 1837 he settled at Breslau, where he had married Rosalie Vogel, but in the following year he migrated to Saint Petersburg, where previous visits had made him persona grata at Court. He then became court pianist and inspector of musical studies in theImperial Institute of Female Education, and was ennobled in 1876. He usually spent his summer holidays in his former homeland Germany. In 1852 and again in 1867 he visited England, though in the latter year he made no public appearance.
Statue of von Henselt in his hometown of Schwabach
Saint Petersburg was his home practically until his death, which occurred during a stay at Warmbrunn, Germany (now in Poland), due to cardiac disease. The characteristic of Henselt's playing was a combination of Franz Liszt's sonority with Hummel's smoothness. It was full of poetry, remarkable for the great use he made of extended chords, and for his perfect technique. Indeed, his cantabile playing was unequalled: Liszt once commented on the lengths to which Henselt had gone to achieve his famous legato, saying, "I could have had velvet paws like that if I had wanted to." Henselt's influence on the next generation of Russian pianists is immense. It is in Henselt's playing and teaching that the entire Russian school of music had its genesis, developing from the seeds planted by John Field. Sergei Rachmaninoff held him in very great esteem, and considered him one of his most important influences.
He excelled in his own works and in those of Carl Maria von Weber and Frédéric Chopin. His Piano Concerto in F minor, Op. 16 was once frequently played in Europe; and of his many valuable studies, Si oiseau j'étais was very familiar. At one time Henselt was second to Anton Rubinstein in the direction of the Saint Petersburg Conservatory.
However, despite his relatively long life, Henselt ceased nearly all composition by the age of thirty. The reasons are unclear. Chronic stage fright, bordering on paranoia, caused him to withdraw from concert appearances by age thirty-three.
- Variations on ‘Io son' ricco’ from Donizetti's L'elisir d'amore, Op. 1
- Rondo Serioso in D minor, Op. 1b
- Douze études caractéristiques, Op. 2 (No. 1 in D minor, "Orage, tu ne saurais abbattre"; No.2 in D-flat major, "Pensez un peu à moi"; No. 3 in B minor, "Exauce mes voeux"; No. 4 in B-flat major, "Repos d'amour"; No 5 in C-sharp minor, "Vie orageuse"; No. 6 in F-sharp major, "Si oiseau j'etais"; No. 7 in D Major, "C'est la jeunesse..."; No. 8 in E minor, "Tu m'attires, m'entraines"; No. 9 in F Major, "Jeunesse d'amour, plaisir céleste"; No. 10 in E minor, "Comme le ruisseau dans la mer repand"; No. 11 in E-flat major, "Dors tu ma vie"; No. 12 in B-flat minor, "Plein de soupirs, de souvenirs")
- Poème d'amour, Op. 3
- Rhapsodie in F minor, Op. 4
- Douze études de salon, Op. 5 (No. 1 in E-flat major, "Eroica"; No. 2 in G major; No. 3 in A minor, "Hexentanz"; No. 4 in E major, "Ave Maria"; No. 5 in F-sharp minor, "Verlorene Heimath"; No. 6 in A-flat major, "Danklied nach Sturm"; No. 7 in C major, "Elfenreigen"; No. 8 in G minor, "Romanze mit Chor-Refrain"; No. 9 in A major; No. 10 in F minor, "Entschwundenes Glück"; No. 11 in B major, "Liebeslied"; No. 12 in G-sharp minor, "Nächtlicher Geisterzug")
- Deux Nocturnes, Op. 6 (No. 1 in G-flat major, "Schmerz im Glück"; No. 2 in F major, "La Fontaine")
- Impromptu in C minor, Op. 7
- Pensée fugitive in F minor, Op. 8
- Scherzo in B minor, Op. 9
- Romance in B-flat minor, Op. 10
- Variations on a Theme by Meyerbeer, Op. 11 (Introduction, 5 variations, Finale)
- Concert Etudes, Op. 13 (No. 1, "Air russe"; No. 2 in G-flat major, "La Gondola"; No. 3, "Cavatine de Glinka"; No. 4, "Barcarolle de Glinka"; No. 5 in D-flat major, "Air de Balfe"; No. 6, "Mazurka et polka"; No. 7, "Rakoczy-Marche"; No. 8, "Marche, dédiée à S.M. l'Empereur Nicholas I"; No. 9, "Polka"; No. 10, "Romance russe de Tanéef")
- Frühlingslied, Op. 15
- Fantaisie sur un air bohemien-russe, Op. 16
- Impromptu No. 1, WoO
- Impromptu No. 2, Op. 17
- Vier Romanzen, Op. 18 (No. 1 in A-flat major; No. 2 in B-flat minor; No. 3 in B major; No. 4 in C-sharp minor)
- Arrangements of 12 numbers from Weber's operas Der Freischütz, Euryanthe and Oberon, Op. 19
- Deux romances russes de Soumarokoff, Op. 22 (No. 1 in D minor; No. 2 in A major)
- Marche funèbre in G minor, Op. 23 (dedicated to the memory of Grand Duke Mikhail, 1798-1849)
- Toccatina in E-flat major, Op. 25
- Transcription of Romance de R. Thal, Op. 27 (in A-flat major)
- Deux petites valses, Op. 28 (No. 1 in F major; No. 2 in C major)
- Sophie-polka, Op. 29
- Cadenza for Beethoven's Piano Concerto No. 3 in C Minor (Op. 37), Op. 29b
- Grande valse – L'aurore boréale, Op. 30
- Ballade in B-flat major, Op. 31
- Nocturne in A-flat major, Op. 32
- Chant sans paroles in B minor, Op. 33
- Romance russe, Op. 33b (sometimes referred to as Romance No. 6)
- Impromptu No. 3 in B-flat minor, Op. 34
- Marche du couronnement d'Alexandre II, Op. 35 (in G major)
- Valse mélancolique in D minor, Op. 36
- Impromptu No. 4 in B minor, Op. 37
- Morgenständchen in D-flat major, Op. 39
- Wiegenlied in G-flat major, WoO, sometimes noted as Op. 45
- Etude in A minor, WoO
- Mon Chant du cynge, WoO
- Morgenlied von Uhland, WoO
- Petite Romance in B-flat minor, WoO
- Petite Valse in F major, WoO
- Poème d'amour - Andante et Allegro concertante, WoO, in B major
- Polka brilliante in D minor, WoO
- Preambules in all the keys, WoO
- Preparatory exercises, WoO
- Romance in D-flat major, WoO
- Souvenir de Varsovie, A-flat major, WoO
- Variations on Quand je quittai la Normandie from Meyerbeer's Robert le diable, Op. 11
- Piano Concerto in F minor, Op. 16
- Duo, Op. 14, for cello and piano
- Piano Trio in A minor, Op. 24
- Jump up^ Referred to as "Henselt's F-minor exercise in narcissism" by Glenn Gould in: Tim Page (ed.), The Glenn Gould Reader (Knopf, New York 1984), 74.
- This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Henselt, Adolf von". Encyclopædia Britannica (11th ed.). Cambridge University Press.
- List of works taken from the article on Henselt by Richard Beattie Davis on Grove Music Online.
- `Edition I.M.E.` Bonn, Germany 2002. ISBN 3-89564-106-5 http://www.studiopunktverlag.de
- Natalia Keil-Zenzerova "Adolph von Henselt. Ein Leben für die Klavierpädagogik in Rußland." (Frankfurt 2007) ISBN 3-631-53925-8 http://www.peterlang.de In German & Russian
- Hyperion records CDA67495 “Etudes” op.2 & op.5; Piers Lane, pianist. Liner notes by Richard Beattie Davis.
- Henselt Museum (German)
- Downloadable recordings of Henselt's works in MP3 format
- Piano Trio in A minor, Op. 24 Sound-bites and short bio sketch
- Free scores by Adolf von Henselt at the International Music Score Library Project
- International Henselt Society – http://www.henseltsociety.org
- Richard Beattie Davis "Henselt, Adolph von" in The New Grove Dictionary of Music and Musicians, second edition, 27 volumes. London: MacMillan 2000. ISBN 978-0-19-517067-2.