Francisco Correa de Araujo was a notable Spanish organist, composer, and theorist of the late Renaissance. Correa's writings make reference to two other publications (a Libro de versos and a book on music theory), that were not published yet by that time; however, all his surviving works are contained in a single publication entitled Libro de tientos y discursos de música practica, y theorica de organo intitulado Facultad organica, published in 1626. This publication serves not only as a book of compositions, but as a treatise on music theory and performance practice, and it is one of the most important works of its kind to emerge from Spain in the 17th century. Correa's compositions take advantage of all the devices available to Spanish organists of the time, most notably the medio registro, or divided keyboard, an innovation unique to the Iberian peninsula which appeared towards the end of the 16th century, while his theoretical writings give great insight into his ideas of harmony and counterpoint.
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Facultad organica Cancion glosada de octavo tono, FO 64 Tiento de quarto tono, FO 15 Tiento de quinto tono, FO 5 Tiento de séptimo tono, FO 28
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